![]() If there’s only one or two layers recorded for each note on a digital piano, it becomes very difficult to reproduce the wide dynamic range of an acoustic piano. While this helps to create a perception of a longer decay, it’s not the same decay that you hear on an acoustic piano, which is much more complex and dynamic than a simple volume decrease. Many lower-end digital pianos will only play back the first 3-5 seconds of the real recording, then loop the sample so that the same part is played over and over, but with gradually decreasing volume. Moreover, to avoid using gigabytes of sampling data, many manufacturers cut off a part of the sample to reduce its size. Rather than recording each individual key of an acoustic piano, they record every second or every third note and then stretch the samples using modeling technologies to fill the gaps. Generally, more memory means that longer/higher-quality samples with more velocity layers can be stored on a digital piano.Ĭheaper models have less memory, so manufacturers have to take a slightly different approach. The more velocity layers, the more natural volume transitions and better expressiveness you get.
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